Hold the line tom morello manual#

But you know, there’s no manual that says, like, ‘The voice memo of your iPhone needs to be 8.4 inches away from the top left speaker.’ I just set it up on a chair. My laptop’s open so I can have, like, the BPMs in my ears or whatever, and the phone is balanced on the edge of the laptop on a chair facing the amp. with a little phone propped up on the console for you to record into. I’m imagining you seated in front of a big mixing desk, surrounded by gear in your fully stocked studio. “But then I was reading an interview where Kanye West said he recorded the vocals to a couple of his big hit records using the voice memo on his phone. I’m not going to be able to record music.’ So I was like, ‘I’m not going to be able to play shows.

Hold the line tom morello how to#

Like, I don’t know how to move any of the buttons around. You know, I have a nice studio in my house, but I don’t know how to work it. “For the first four months or so I was absolutely adrift. I’ve gotta tell you, the guitar sounded pretty freaking great recorded with my voice memos app

From the time I was 17 years old to the time that the world shut down in March of 2020, I’ve had a nonstop creative motor on me of writing, recording and performing. This is a record that was born of lockdown. Is The Atlas Underground Fire a record that would have been made had it not been for the pandemic? “It was a way to create connections and find a musical community in a time of absolute isolation. To me, that feels like an exciting future for the electric guitar.”Īs for what The Atlas Underground Fire offered Morello in the present? “It allowed me to get out of the bunker,” he says. It’s a cyborg – you don’t know where the guitar ends and the EDM begins. “What I’ve tried to do is create this alloy between two worlds. That’s particularly evident in Morello’s deep exploration of electronic music – the new record features a slew of artists that inhabit various corners of the EDM world, including Mike Posner, Phantogram, Protohype and Sama’ Abdulhadi – which he says is foundational to the Atlas Underground spirit. “The Atlas Underground project allows me to go well outside my safety zone.” “It was sort of a free-for-all creative process,” Morello says.

The follow-up to Morello’s 2018 solo effort, The Atlas Underground, the new The Atlas Underground Fire is built on a similar foundation, with Morello collaborating with a variety of musicians in a wide range of genres, from rock (Bruce Springsteen and Eddie Vedder on a cover of AC/DC’s Highway to Hell), metal (Bring Me the Horizon on Let’s Get the Party Started) and country (Chris Stapleton on The War Inside) to punk (Refused’s Dennis Lyxzén on Save Our Souls), alternative (Grandson on Hold the Line) and reggae (Damian Marley on The Achilles List). And that was the genesis for The Atlas Underground Fire.” Those riffs, he continues, “sounded kind of great, so I started sending them out to various engineers and producers around the world.